Larry is a writer, director, communications strategist, and photographer whose work explores culture, sport, identity, and the communities that shape us.
A Detroit native, Larry began his career in journalism at age 13, earning his first byline in the Detroit Free Press covering the Detroit Pistons. Since then, his work has spanned journalism, filmmaking, executive communications, politics, photography, and digital storytelling. He is the founder and editor-in-chief of WHATSUITSHIM, an independent creative platform encompassing original essays, film, photography, and audio.
Larry currently serves as a senior communications specialist in presidential communications at Howard University, where his work includes executive speechwriting and strategic communications for university leadership. His writing for Howard Magazine has earned national recognition, including a FOLIO: Eddie & Ozzie Award.
As a filmmaker, Larry is an MFA thesis candidate in Film at Howard University and the writer/director of SHOCKWAVE: The Rise, Fall + Rebirth of a Detroit Dynasty, a feature documentary chronicling the Detroit Shock’s championship legacy, departure from the city, and the rebirth of professional women’s basketball in Detroit.
writer | filmmaker | editor-in-chief
Larry J. Sanders
Featured Work 🗞️
Selected work from beyond WHATSUITSHIM, spanning journalism, storytelling, and other creative projects.
Alumnae Debbie Allen and Kennedi Reece reflected on Howard, HBCU culture, and carrying the beloved series into a new generation.
University leadership and retiring faculty and staff reflected on Howard’s profound legacy and promising future.
The former Social Security commissioner’s career is defined by public service, leadership, and a commitment to the next generation.
The veteran South Carolina congressman reflected on Black political participation, personal legacy, and the service that continues to guide his public life.
The renowned journalist and Columbia Journalism School dean credits Howard for his love of history, sense of integrity, and courage to pursue the truth.
A founding member of the famed Howard Gospel Choir, Smallwood leaves a towering legacy both on campus and across the broader university community.
Moderated by Jonathan Capehart and joined by John Hope Bryant, the tribute explored the alumnus’ journey and lessons for a new generation ahead of new documentary about the icon's life.
Alumna and Dean Dana A. Williams discusses her new book, the experience of interviewing Toni Morrison, and how her life as dean mirrors the life of an editor.
Howard film students, alongside professor and alumna Dr. Montré Aza Missouri, highlighted the university’s impact on Black cinema during the 2025 University Film & Video Association conference.
Hundreds of Howard University students packed into Blackburn Ballroom Monday afternoon (Aug. 25) for the album-release listening event for entertainment multi-hyphenate Teyana Taylor’s new project and short film, “Escape Room.”
The two-time graduate and former board chair discusses his new memoir, the lessons of social work and coalition politics, and how a telegram changed his future.
With support from Jami Ramberan, MFA, we explain why these motion pictures have persisted over time and will continue to have relevance in the next century.
In conversation with Dean Dana Williams, Coates reflected on his undergraduate days, literary career, and experiences that led to The Message.
While Black athletes traditionally overindex in few Olympic sports, representation has begun to increase in others ranging from swimming to golf to judo, and Howard University has been at the fore.
Recently named Howard University’s 18th president, Vinson has promised his authentic self in the role. As he completes his first 100 days, we contemplate his journey to The Mecca — and his ambitious vision for its future.
For many alumni, the University’s Homecoming events offer a rare opportunity to reconnect with the campus in person, making the Sunday service that concludes Homecoming among the highest-attended Chapel services each year.
As hip-hop culture entered the mainstream, it did so with flair, carving out an identity that would make it impossible to ignore.
Black undergraduate males are in decline nationwide. We examine the factors at play — and what Howard University is doing to attract and graduate its male students.
For nearly 30 years, Howard students have spent their spring breaks in underprivileged communities through Alternative Spring Break, which has become one of the largest programs across campus.
Essays ✍🏾
Writing on sports, culture, identity, and everything that happens when those worlds collide. A collection of observations, arguments, memories, and the occasional grudge.
Russell Westbrook played basketball with an almost pathological belief in his ability. It made him an MVP, phenomenon, contradiction — and absolutely impossible to ignore.
Twenty years after the greatest regular season in franchise history and 22 since their last world title, this generation’s Stones are back in their familiar role as league spoilers.
Willie Bell did not abide cutting corners, and it’s that pride she demanded in both our output and overall character that I’ve strived towards since choosing this craft as my life’s passion.
Dive into the best of 2023 with Masego, Don Toliver, Victoria Monet, Baby Keem, Metro Boomin, and more. These artists define the year's sound in our exclusive rankings.
For two leagues that are predominantly Black and brown, and in a country that pays Black women 64 cents to every dollar paid a white male, the NBA is uniquely positioned to make one of the boldest statements regarding women’s and civil rights that this nation — this planet — has ever seen.
Crazy enough, what might be the most stable organization in the National Basketball Association, that franchise roughly 400 miles to the north of Chino Hills, is in pole position to bring LaMelo Ball in the fold. And maybe even crazier, I think he’s the obvious choice for the Golden State Warriors in this year’s NBA draft.
All things considered, Big Sean probably couldn’t have made this version of Detroit 2 three years ago. Patience is a virtue, and I’m willing to wager he learned that one from the city he calls home.
Since George Floyd’s murder caught national attention, discussions around issues of race and gender have suddenly become much more candid, and seemingly much less ephemeral. We may actually be our closest to finally getting that boulder over the hill than we’ve been in this nation’s history. Seriously.
I almost chose to sit this eulogy out. I mean, transparently, making fun of Kobe’s eccentricities has been a favorite pastime of mine for two decades. His scuffle with Chris Childs remains quality content, to this day. He semi-pursued a music career, and enlisted Tyra Banks for his only single. I used to make fun of his mini-fro just because I thought it looked dumb. (In hindsight, he started the era of the thot fro twenty years ago. A man truly ahead of his time.)
Triumphant yet grateful, Nip allowed a brief, rare moment to enjoy the fruits of his labor, decking his grandma out in a Puma sweatsuit and bringing her aboard his private jet to enjoy a glass of champagne as visual representation of the generational change he’s providing, even after death. I hate it that Nipsey Hussle died so young. I hate that he died at his happiest even more.
It sucks that Professor Morrison’s passing was the spark I needed to write for myself again, but I’d be a hypocrite considering her a role model and mentor while continuing to be so passive about my truest passion. I know I’m a damn good writer, because I wouldn’t have launched this project if I didn’t. I can’t be a writer if I, er, don’t write. The plainest truths are often redundant that way.
It’s insane LeBron continues to play these 48-minute games in Season 15, but I have no reason to believe he’ll slow down, either. And, to his credit, he has a short memory: for better or worse, he’ll be kicking the ball to Earl for open 3s on Sunday as if nothing happened tonight. He doesn’t really have a choice, no. But I’m not doubting the guy again.
This is “know yourself; know your worth” years before Aubrey said it, “if you don’t want me, then don’t talk to me” without any of Fantasia’s heartbreak. Beyoncé doesn’t need you. Don’t you ever for a second get to thin... wait, that’s an entirely different song. Regardless, you get the point.
Ironically — or maybe not — their beef came at the apex of each rappers’ career: Paper Trail is T.I.’s last #1 album on the Billboard Hot 100, and Shawty Lo never saw that kind of mainstream attention on his music again. I might’ve found Tip’s responses petty, but he probably saw a guy he knew and respected and, most importantly, wanted his spot; this guy from down the block might’ve never held T.I.’s universal appeal, but he could threaten his neighborhood status, and that was enough to merit comebacks that were, frankly, mean.
On October 27, 2012, around 6PM London time, I learned the Thunder traded James Harden to the Houston Rockets. The Thunder vaguely claimed they were unable to reach an agreement on a contract extension; James was seeking a maximum contract of $60 million over 4 years, which the Thunder countered by asking him to take a $4.5 million discount. The Thunder traded away their third head over a mid-level exception.
Major shoutout to Blake Hall and Fresh Never Fades Clothing for the launch of their 2018 Collection 1!
I’ve been crafting my personal brand around the aesthetic that I’d like WSH to exude — clean, refined, much cooler and over everything than you’d believe — and while it can be fun to play that character on Twitter and Instagram, it’s a weird feeling to consider how detached our two personalities can be. Not entirely disparate, mind you; I’d never accuse anyone of faking for likes and retweets. But we’ve all now become curators of our personal running diaries, for better or worse. Can’t blame a curator for exercising creative control, can you? That's precisely why my Twitter drafts folder is pouring over at the moment. Creative control.
Having watched an inordinate amount of hoop this year (shoutout to my Warriors-exclusive League Pass subscription), I think I’m around 77% qualified to tick off who I believe should make this year’s All-Star team. Plus, I needed to get my selections on the website before the official choices for the game's starters come out in like five minutes. Drumroll, please...
No guests this year — just me. (Here’s your chance to tiptoe out the back door.) Per the title, this year’s piece will be far less “scientific” than the first two. I’m way too behind on music to pretend like I’m some sort of expert this year, so consider this a list of my personal favorites. I mean, I think I know a little bit about song construction and stuff, so I’d hope nobody sees this and finds me completely insane for some of these choices. As always, I take this project as seriously as I (think I) should, and I’d love to get your feedback on my picks and even see your “best songs” lists, as well.
Sure, continue to ignore all the intentional system failures harming people of color in the name of pretending we don’t have a legitimate gripe. Let’s also pretend these wealthy, black athletes weren’t dead broke once-upon-a-time, because in this fantasy, they shouldn’t complain about anything! They don’t have it bad at all! Or — even better — let’s continue to pretend that America has this spotless history, that the many terrible things happening right now in the United States — white supremacist rallies, mass shootings by domestic terrorists, the election of an incompetent imbecile to run the country — are just aberrations and not the byproduct of backlash from the eight years prior, anger not only of a black man being President, but of him being damned good at it, too.
Netflix was kind enough to give us 90 minutes of their reunion. I need that unreleased footage though, and sooner-than-later.
Love Jones debuted in theaters on March 14, 1997, in the midst of what I’d argue is a peak in Black cinema. Although this renaissance arguably begins as far back as the late-1980s, the Black romance films of the mid-1990s introduce this extremely wild concept of young, successful, upwardly-mobile African-Americans having the same love issues as, you know, everybody else.
I always fancied one day owning that house, despite my dad’s disbelief I’d ever want to live there. I also thought I’d have him for at least another 20 years, so consider how my feelings for that place soon changed once he was no longer in it. Had I bought the house from my dad or had he gifted it to me, that would’ve been ideal. But it felt weird knowing that house could exist without him, if that makes sense. I hated walking in that door, I dreaded going into his basement, I’d go into the kitchen and start daydreaming about the fake wrestling matches we’d have, I’d look inside his bedroom and notice one side of the bed hasn’t been touched because, oh yeah, only one person sleeps in that bed now.
I do believe Sean was always cognizant of the lack of respect he’d be given in comparison with his contemporaries, but it’s clear now that he doesn’t care. He beat the odds: he’s made it to his fourth album while a ton of his peers have been one-and-done, if they even get that far.
About three months ago, I considered shuttering the website. In many ways, and for a number of reasons, my confidence was shot. I hadn't written a thing in months, and the whole project was starting to feel like an enormous and expensive waste of time. I’ve never been big on asking God for signs, but that day, I prayed during lunch that God reveal to me whether W S H was still worth the effort.
I give my grandma a hug and kiss before I leave the house. “Bye, Granny. I love you.”
“I love you, too. Don’t forget this address and this phone number, now.”
“I won’t, Granny. I promise.”
Last year’s Highly Scientific Ranking of the Year’s Best Songs featured me and me alone. This time, I’ve asked some writer friends to join the fun. Among these friends are academics and professional writers and folks tied into the industry, but most importantly, they are very good people with musical tastes I’ve always respected. I can’t thank them enough for their help with this article, and I’m grateful that folks – friends or not – want their writing on my little startup website.
Podcasts 🎙️
Conversations with friends, thinkers, creatives, and fellow obsessives about the things worth talking through. Sports, music, culture, life—and plenty in between.
Originally recorded August 19, WSH lead creative Larry J. Sanders reconnects with artist-entrepreneur Willie Mac Jr. to discuss the makings of his latest project Inc University: Back 2 Cool.
WSH lead creative Larry J. Sanders welcomes first-time guest Dominique Crump, MSW to discuss the origins of her Sexual Assault Survivors Restorative Justice Project; after, Larry and WSH entertainment critic Rhyanna Morgan investigate the origins of Juneteenth and analyze the latest Black protest content.
WSH lead creative Larry J. Sanders celebrates the fiftieth episode of WSH | RADIO with friend of the project Mel Washington; the duo reconvene to analyze the major cultural events thus far into 2020.
WSH lead creative Larry J. Sanders reconnects with artist-entrepreneur Willie Mac Jr. to review The Last Dance, discuss a potential NBA return, and much more.
WSH lead creative Larry J. Sanders Zooms with journalist + producer Martin Weiss to recap Episodes 9 & 10 of The Last Dance.
WSH lead creative Larry J. Sanders and Beat the Buzzer’s Keenan Terry and Ricardo Patterson each list their five favorite NBA champions (plus some honorable mentions) of the past thirty years.
WSH lead creative Larry J. Sanders and BeGreatDC founder and president Rachael Payton review gospel music legend Kirk Franklin's three-decade career.
WSH lead creative Larry J. Sanders Zooms (?) with The Huffington Post’s Philip Lewis to recap Episodes 5 & 6 of The Last Dance.
WSH lead creative Larry J. Sanders and WSH entertainment critic Rhyanna Morgan offer their recommendations for television shows and movies to binge (and avoid) during this period of self-isolation.
WSH lead creative Larry J. Sanders recaps Episodes 3 & 4 of The Last Dance with Beat the Buzzer’s Keenan Terry and Ricardo Patterson.
WSH lead creative Larry J. Sanders and Beat the Buzzer’s Keenan Terry list their personal all-time NBA rankings.
In the twelfth episode (and first season finale!) of the WSH Radio ALBUMS of the DECADE project, WSH lead creative Larry J. Sanders and audiophile Justin Smith explore and review Bas’s second studio album, 2016’s Too High to Riot.
WSH lead creative Larry J. Sanders and Let’s Talk Bruh’s Jeremy Herte connect to recap the first two episodes of ESPN’s new Michael Jordan documentary The Last Dance.
In the eleventh installment of the WSH Radio ALBUMS of the DECADE project, WSH lead creative Larry J. Sanders and Beat the Buzzer co-host Keenan Terry share their memories of the 2011 Jay-Z and Kanye West joint album Watch the Throne.
WSH lead creative Larry J. Sanders reconvenes with friends of the project Kyr Rashad Mack and Let's Talk Bruh's Jeremy Herte to recap the first two-thirds of the 2019-20 NBA season and ruminate on potential developments for this spring and summer.
In part ten of the ALBUMS of the DECADE podcast series, WSH lead creative Larry J. Sanders welcomes journalist and multimedia producer Mankaprr Conteh for a conversation on Rihanna’s eighth studio album, 2016’s Anti.
WSH lead creative Larry J. Sanders connects with Keenan Terry and Ricardo Patterson of the Beat the Buzzer Podcast to mourn the loss of basketball titan Kobe Bryant, sharing their favorite memories of following Bryant through their adolescent and teenage years.
In part nine of the ALBUMS of the DECADE series, WSH lead creative Larry J. Sanders connects with BeGreatDC founder and president Rachael Payton to review the second Beyoncé album to be selected, 2016’s Lemonade.
For part eight of the Albums of the Decade series, WSH lead creative Larry J. Sanders welcomes back friend of the project + host of Let’s Talk Bruh: A Podcast on Black Masculinity Jeremy Herte to analyze his selection, Kanye West’s My Beautiful Dark Twisted Fantasy.
In the seventh installation of the WSH Radio Albums of the Decade project, WSH lead creative Larry J. Sanders and DJ / radio personality TeeTwoTimes discuss her selection, Kendrick Lamar’s To Pimp a Butterfly.
For the sixth installment of the WSH Radio Albums of the Decade series, WSH lead creative Larry J. Sanders connects with Arena Solutions and Fresh Never Fades Clothing's Blake Hall to discuss his selection, BEYONCÉ.
WSH lead creative Larry J. Sanders links with friends of the project Kyr Rashad Mack and Let's Talk Bruh's Jeremy Herte to break down the first fifteen-plus games of the 2019-20 NBA season.
WSH lead creative Larry J. Sanders and artist-entrepreneur Willie Mac Jr. link up to discuss his forthcoming project Keep the Change, potential selections for the Albums of the Decade series, Kanye’s gospel album, and more.
In the fifth installation of the WSH Radio Albums of the Decade series, WSH lead creative Larry J. Sanders welcomes back Mel Washington to discuss Big K.R.I.T.’s It’s Better This Way.
WSH lead creative Larry J. Sanders, WSH entertainment critic Rhyanna Morgan, and Beat the Buzzer Podcast’s Keenan Terry reconvene for the first time this year, where the trio belatedly talk through the major cultural events thus far into 2019.
WSH lead creative Larry J. Sanders welcomes freelance photographer + music curator Ako-Akeem Boyd for part four of WSH Radio’s Albums of the Decade series.
WSH lead creative Larry J. Sanders welcomes back Kindred Media’s Leah Hill in anticipation of the second-annual Kindred Music & Culture Festival.
WSH lead creative Larry J. Sanders and Let’s Talk Bruh’s Kyr Rashad Mack connect for part three of WSH Radio’s Albums of the Decade series.
WSH lead creative Larry J. Sanders and Let’s Talk Bruh’s Kyr Rashad Mack discuss an unexpected Russell Westbrook-Chris Paul swap, whether the trade makes sense, and other free agency odds-and-ends.
WSH lead creative Larry J. Sanders welcomes writer + photojournalist Takia Robinson for part two of the Albums of the Decade series.
Narrative and documentary work exploring identity and community.
From intimate shorts to the feature documentary SHOCKWAVE, the work is grounded in character and culture.
Images rooted in people and atmosphere.
From portraits and live events to editorial and documentary work, each frame aims to preserve how a moment both looked and felt.
Let’s make something worth remembering. 🤝🏾
Whether you’re looking for a creative partner or simply another perspective, Larry is always interested in thoughtful ideas and meaningful collaborations.
Tell us what you’re working on — and where you think we might fit together:


As he celebrates his 86th birthday and retirement from The Washington Post, the alumnus and Pulitzer Prize winner reflects on the impact Howard University has had on his career — and vice versa.