Posts tagged WHATSUITSHIM
Keep the Change, Albums of the Decade + more with Willie Mac Jr. (Ep. 30)

Originally recorded September 21, WSH lead creative Larry J. Sanders and artist-entrepreneur Willie Mac Jr. link up to discuss his forthcoming project Keep the Change (5:50), potential selections for the Albums of the Decade series (30:20), Kanye’s gospel album (37:20), clout chasing (52:30), and differing perspectives on “success” (1:00:30).

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SURRENDER TO THE AIR

It sucks that Professor Morrison’s passing was the spark I needed to write for myself again, but I’d be a hypocrite considering her a role model and mentor while continuing to be so passive about my truest passion. I know I’m a damn good writer, because I wouldn’t have launched this project if I didn’t. That’s partially why I chose that picture of Professor Morrison for the August homepage. It’s definitely eerie but in the best possible way, like she’s staring directly into my soul, demanding I snatch control of my destiny. I can’t be a writer if I, er, don’t write. The plainest truths are often redundant that way.

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A Quick NBA Finals Rant + Albums of the Decade, Pt. I with Rhyanna Morgan (Ep. 21)

Lead creative Larry J. Sanders quickly runs through the Warriors-Raptors NBA Finals matchup through the first five games before introducing the WSH Radio Albums of the Decade project and jumping into Part One of the series with WSH entertainment critic Rhyanna Morgan.

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WSH's Fourth Annual (Not Very) Highly Scientific Ranking of the Year's Best Songs • #3

“Love You Better” was officially released in February, so it appears I spent 10 full months preaching his gospel, wondering how anyone could still be unconvinced of his future starpower. Admittedly, having Chris Brown sing your hooks is never a bad idea, but again, Christian perfectly channels his dad’s charisma, seemingly blooming into an actual rapper rapper in no time. He more than holds his own next to Chris, never allowing the veteran to snatch his spotlight. Between that sample and Christian’s flow and that very dope, Biggie-inspired video, I still haven’t figured out why this song wasn’t more of a rocket. He’s Puff’s kid! And he’s good! I’d be so mad if I made a smash like this and my music mogul father didn’t payola my way to the top. (I’m joking. Kinda.)

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WSH's Fourth Annual (Not Very) Highly Scientific Ranking of the Year's Best Songs • #4

While “APESHIT” is the obvious choice for a year-end list, the stadium anthem with the pop appeal, and “HEARD ABOUT US” is my subjective favorite (I need to roller-skate to that song within the next 90 days, for real), “BLACK EFFECT” expertly manifests the blackness of their love in a way that makes my heart smile, the album’s very believable reminder that their accumulated wealth does not mean they’ve forsaken the revolution. In fact, they seem to argue that their access to particular resources makes them a greater asset to their people — and therefore a pretty significant threat to the status quo, should they choose to be. And they’re not wrong: from Hov highlighting his recent, exaggerated run-ins with law enforcement to Beyoncé articulating the importance of a black woman’s mere existence in places of high society, neither of them have been reticent in discussing their blackness in relation to their success. Now raising 3 children of their own and fully committed to each other while still at the peak of their respective musical powers, what better time than now to show their babies and the world that they’re in this together? Maybe the revolution will be televised, all things considered. The Carters might own a television station next.

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